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Summary

Abstract

This collection documents the life and career of contemporary author and graphic designer Chip Kidd. The wide variety of material includes book jackets and published designs, original art, manuscripts, works in progress, business files, correspondence, memorabilia, scrapbooks, student portfolios, type catalogs, vintage print ephemera, comic books, and a large reference library.

Dates

  • Creation: 1928-2020

Extent

242.5 Linear Feet (Housed in 264 boxes, including Paige boxes and drop-front, and 12 folders)

Background

Biographical / Historical

Chip Kidd is a distinguished author, editor, graphic designer, and 1986 alumnus of The Pennsylvania State University. Best known as a designer of book covers and dust jackets, he is a prolific writer as well, with two acclaimed novels, original comics, several anthologies of comic art, and other non-fiction works to his credit. Kidd’s accomplishments have earned numerous recognitions, including the 2007 Cooper-Hewitt Smithsonian Museum National Design Award and the American Institute of Graphic Arts (AIGA) Medal for lifetime achievement in 2014.

Born September 12, 1964, Charles Iacone Kidd is the younger son of Cornelia Ann Iacone and Thomas Iden Kidd. Known professionally by his childhood nickname “Chip,” Kidd grew up in the suburbs of Reading, Pennsylvania, watching the classic Batman TV series and reading Silver Age comic books. He encountered graphic design at Penn State where he studied with renowned designer Lanny Sommese, experience Kidd later fictionalized for his first novel, The Cheese Monkeys. After college, Kidd moved to New York City and found work at publishing house Alfred A. Knopf. He has remained at Knopf since 1986. Now an associate art director, he also oversees graphic novel projects for Pantheon (another imprint of the Knopf publishing group), and maintains a large portfolio of freelance design work.

In 2013, Kidd married his long-term partner J. D. McClatchy, the poet, librettist, and editor of The Yale Review. They live in New York City and Connecticut.

Scope and Contents

This large and heterogeneous collection provides a remarkably complete overview of Kidd’s life and career to date. It is clear from the present material that Kidd tends to keep everything he makes or collects, and that he has been an avid collector and prolific creator since early childhood. Researchers interested in Kidd’s creative process or stylistic development should find plenty of material to support critical analyses: there are portfolios from Penn State, early freelance projects, rejected proposals, book covers and full publication designs in every state between sketch and print, as well as works in other media.

Beyond a study of graphic design or Kidd himself, the archives may also facilitate research on related topics, such as the history of Knopf, the American publishing industry more broadly, or select contemporary literary figures. Kidd’s wide network of collaborators includes a number of authors, editors, illustrators, and designers who are eminent in their fields, and the nature of their correspondence may be both personal and professional.

Kidd’s personal library (though not yet cataloged) is a potentially rich source of contextual information, encompassing a range of eclectic genres: mainstream and small press comics; popular literature and fine editions; books and magazines on photography, illustration, design, and typography; auction catalogs, toys and all variety of Batman memorabilia.

The time period covered in the collection means that both analog and digital formats are present, but it is not simply that one supersedes the other at a given date. Kidd’s design process often involves both physical and digital iterations of the same project. Digital materials in this collection, like the analog, include published and unpublished images, text, audio, video, and other data formats stored on a range of devices and computer drives.

The additions to this collection contain materials similar in content and format to the original papers but the bulk of the additions range from the 2000s to 2010s. These include items related to conventions and festivals attended by Chip Kidd, correspondence and papers from his time at Knopf, and drafts and proofs for books and book covers. These additions continue chronicling Kidd's work into the 2020s. Along with paper items, there are video and audio formats including CDs, DVDs, tape cassettes, and audio records. The additions also contain vintage toys, books, and other collectibles that served as inspiration to Kidd.

Arrangement

The arrangement of this collection should be considered in relation to the fact that description is ongoing. A large amount of material has not yet been processed, including: business records, correspondence, literary manuscripts, clippings, collected art, and Kidd’s personal library of comic books and reference works. Additionally, Kidd has retained portions of his archives as he continues to produce work as a professional designer.

The first several series of the collection contain artifacts of Kidd’s graphic design work for the book publishing industry: primarily book covers and jackets as well as interior publication and text design. These series are further subdivided by format or production state. Descriptions of each subsequent level of arrangement will be found below within the collection inventory.

Arrangement Outline

  1. Series I: Book, cover, and jacket designs (published)
  2. Subseries 1. Covers and jackets
  3. Subseries 2. Books – cover and/or jacket design
  4. Subseries 3. Books – full and/or interior publication design
  5. Subseries 4. Books – authored and designed
  6. Subseries 5. Comic books – logo and title design
  7. Series II: Book, cover, and jacket design processes
  8. Subseries 1. Covers and jackets (original art and sources)
  9. Subseries 2. Book cover prototypes
  10. Subseries 3. Publication and text design
  11. Subseries 4. Authored, edited, or comic projects
  12. Subseries 5. Novel manuscripts
  13. Series III: Other designs
  14. Subseries 1. Book promotion, catalogs, and publishers
  15. Subseries 2. Editorial design and illustration
  16. Subseries 3. Identities, logos, and commercial projects
  17. Subseries 4. Posters, music, events
  18. Subseries 5. Objects (3D)
  19. Subseries 6. Unprocessed boxes
  20. Series IV: Student work and early career
  21. Series V: Papers (unprocessed archives)
  22. Series VI: Print library and reference collection

Location

For current information on the location of these materials, please consult the Penn State University Libraries catalog via the link above. Archival collections may be housed in offsite storage. For materials stored offsite, please allow 2-3 business days for retrieval.

Immediate Source of Acquisition

The collection was acquired from Chip Kidd in 2012. (Items post-dated 2013 likely reflect the expected date of publication.)

Existence and Location of Copies

Access scans may be available for some materials in this collection. Please contact Special Collections Research Services for more information at spcollections@psu.edu.

Processing Information

Unless otherwise noted, the collection's arrangement was imposed during processing, given the absence of original order and the significant rehousing required due to the variation in material formats and sizes. Excessive duplicate copies of print items have been weeded.

Processed by Alyssa Carver 2014-2017.

Subjects

Using These Materials

Repository Details

Part of the Eberly Family Special Collections Library Repository

Contact:
104 Paterno Library
Penn State University
University Park 16802 USA
(814) 865-1793

Conditions Governing Access

Collection is open for research.

Conditions Governing Use

Photocopies of original materials may be made available for research purposes at the discretion of the Eberly Family Special Collections Library. Photocopies or reproductions of original materials may be subject to fees as outlined by the Pennsylvania State University Libraries reproduction policies.

Copyright is retained by the creators of items in these papers, or their descendants, as stipulated by United States copyright law. Patrons seeking advice on the availability of unpublished materials for publication should consult relevant copyright law and laws of libel.

Preferred Citation

[Identification of item], Chip Kidd papers, 09528, Eberly Family Special Collections Library, Pennsylvania State University.

Title
Guide to the Chip Kidd papers
Status
Published
Author
Compiled by Alyssa Carver
Date
2017
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Revision Statements

  • 2021-05-24: Bianca Alvarez added an Existence and Location of Copies note.
  • 2021: Lexy deGraffenreid added a finding aid date, and updated standard notes to current standards. She also updated the finding aid status to published and added a box of computer media to the collection.
  • 2023: Margaret Oldham added an Additions series to the collection and updated the record to reflect these additions.